The mythologies of what is and what one imagines to be is……………. all real and nothing is true.  Stories shared within a village find their own way of communication and escape their primal form to conclude in an exaggerated mythical form. .............Every unfolding of a thread carries a thousand whispers.  ………..The interweaving of material…………. reallocates ………stories of myths, and everyday life, ……….all wrapped together, interwoven in a syntax of communion and escape.  ………. isolated in the traces of what is told.  ………….The mythical representation of what is and what seems to be, is archetypal and ……………….reveals a society structure where now is the present and every day is the encounter of plenteous incidences, recycled in the course of storytelling, an incident of its own……………………………………...................................................................................................................................................................................................................................................................... you live it we tell it as it serves right, legend you.  

kouvari galazio

Durring a tree month stay in the island of Ikaria, in an old workshop space of embroidery time endurance and its formative circulation were the findings that prenouned.  TIME is a course of its own. It enters patiently in traces of how and what is to encounter. Experience dwells within time and time in experience.  Time itself is the experience.  Act and encounters run in circles of themselves and of the people involved.  Often exclamations of events, curl the flowing of time and activate vibrant frequencies.  All residue and settle until the following outbreak of shuttles.  Time occurs in three lapses, the now, the reoccurrence of the narration of events, seldom abiding a mythical form, and in its endurance, time being the act of the experience on its own.  In the space of the workshop, time abided all three time spaces.  The present time is expansive in its experience and overstates endurance.  Narration occurs through the course of filming, time re-represents itself escaping psysical space.  What is documented is fragments of occurrence, reflective of spatial reallocation and time resilience. It is inclusive of the isolation of the self to the nature of the events, elicit to the experience in the village.  Its reproduction recalls the residues of time in a new existence abiding the former experience.



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